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We are an internationally-recognised centre for the study of all forms of media. Established in 2003 with a £3.1 million grant from SPUR (Support Programme for University Research) we were recognised in the 2008 Research Assessment Exercise as being in the top ten of all UK universities for communication, cultural and media studies.
Within the Centre, a diverse group of scholars and students from many parts of the world are researching and debating questions of media history; cultural theory; media policy, technologies and practice; politics and power and new media developments. Examples of our ongoing research can be seen in our Project Showcase, and former research activities in our Knowledge Bank.
The CMR Irish Visual Culture strand examines contemporary screen culture in Ireland and Northern Ireland as well as the history and cultural impact of Irish film, television and photography. This strand has produced research on recent Irish cinema, the social impact of television in Ireland, north and south, and on the representation of Ireland and the Irish in mainstream American and British cinema. There is a particular emphasis on nineteenth century Irish and British photography and the impact of early American cinema on the Irish diaspora on the east coast of the USA. In television the CMR has also begun to explore the social, political and cultural impact of UTV, established 50 years ago on Halloween night, 1959. More Information
This strand of the CMR’s research is exploring creative uses of digital media that acknowledge the shift from audiences to users in contemporary media studies and the changing relationships between individuals and society and public and private domains that these transformations bring.
Primary project areas will bring together key strands of thought and practice about the networked space as penetrating and modifying everyday cultural practices and spaces. These will include examination of the interface between virtual and real worlds and how these define our perceptions of the space we inhabit; investigation into the type of interaction users have with content and other people with whom they might connect in these spaces; and analysis of locative media to explore revised constructions of site and non-site and place and non-place. More Information
The CMR Journalism strand complements the hugely successful undergraduate and postgraduate journalism training courses in the University of Ulster’s School of Media, Film and Journalism and has a particular emphasis on two areas: the idea of a 'public space' of political communication and how this impacts on democracy and accountability; and the reporting of war and conflict with a specific emphasis on the reporting of post-conflict Northern Ireland and the politics of peace.
Examination of the future of local news reporting in Britain and Ireland and the long term viability of local news outlets is becoming an increasingly important area of our work. More Information
The CMR Media Policy strand provides an informed voice on contemporary matters of public concern around the media. Researchers inform public policy agendas in Ireland, the UK and beyond, through projects on media ethics; broadcasting policy, including local and regional issues; cultural and heritage issues; media regulation; the impact of changing communication technologies on the young and media literacy. This network exchanges ideas and research findings, and joins with NGOs, media workers’ organisations, press freedom campaigns and consumer groups in their debates with regulators, the broadcasters and the Government. A particular goal, where appropriate, is to support such groups by providing them with expert evidence, based on academic research.
We have strong links with The Media Communication and Cultural Studies Association (MECCSA). Professor Messenger Davies is currently co-ordinator of the MECCSA policy network. More Information
The CMR Media Practice strand explores the media through critical practice and participation. Key areas of work are documentary films, photography and the digital arts, with production techniques in these areas used to illustrate and explore various ideas and ideologies. The documentary format is both the subject of our work, and the process by which we work.
In particular, participatory methodology underpins our subjects’ co-ownership of their stories. This is particularly important in work, such as the Prisons Memory Archive and Unheard Voices that addresses stories from the Troubles, where psychological and political sensitivities remain raw. More Information
The Centre's international group of full-time staff bring not only their expertise to the CMR's programme but also a network of international collaborators, making the CMR a junction through which many people and ideas are flowing.
Lecturer in Film and Television Studies
Office B229A |
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+44 (0)28 7012 3060 |
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Lecturer, School of Media, Film & Journalism; Subject Director, Photo Imagining Minor
Office C215 |
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+44 (0)28 7012 3363 |
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Lecturer in Film Studies
Office C238 |
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+44 (0)28 7012 3578 |
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Director of Northern Ireland Skillset Media Academy
Office B240 |
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+44 (0)28 7012 4176 |
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Emeritus Professor of Sociology and Cultural Studies
Office C217 |
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+44 (0)28 7012 3200 |
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Teaching Fellow in Interactive Media Arts; Associate Member, CMR
Office C212 |
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+44 (0)28 7012 4479 |
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Lecturer in Interactive Media Arts
Office C211 |
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+44 (0)28 7012 4267 |
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Lecturer in Media Arts, School of Media, Film and Journalism
Office C219 |
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+44 (0)28 7012 4184 |
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Senior Lecturer, Media and Journalism Studies
Office B231 |
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+44 (0)28 7012 4132 |
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Senior Lecturer in Media Studies
Office B227 |
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+44 (0)28 7012 4018 |
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Professor of Media Studies (Film, Television & Photography), Director Centre for Media Research
Office C206 |
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+44 (0)28 7012 4372 |
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Professor of Media Studies
Office C217 |
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+44 (0)28 7012 4069 |
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Head of School Media, Film and Journalism
Office B228 |
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+44 (0)28 7012 3130 |
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Lecturer in Cultural and Political Theory
Office B226 |
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+44 (0)28 7012 4974 |
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Special Projects Manager for CMR
Office B229B |
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+44 (0)28 7012 3361 |
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CMR: Researcher
Office C209 |
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+44 (0)28 7012 3326 |
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The CMR has a lively and vibrant postgraduate research culture, and is an internationally renowned centre of excellence for postgraduate research into the media. In 2006, CMR postgraduates hosted the MECCSA postgraduate network conference in Coleraine, fund by the Arts and Humanities Research Council (AHRC). It was attended by postgraduate students from across the world.
If you are interested in becoming a part of our postgraduate community, details of how to apply are available through the Research Graduate School in the Faculty of Arts. Click here
Kirk Brownlee: The films of Krzysztof Kieslowski
Alexandra Cochrane: The politics and economics of preschool children's television: A production and audience research study
Geraldine Gallagher: Voices Interned: families of those who were imprisoned during the Troubles
Ayumi Hata: The voice in Japanese documentary
Rachael Kelly: Wine, despair and women's clothing: Gender anxiety in screen representations of Marcus Antonius
Rory Kelly: Directing the greatest generation: Cultural memory of the Second World War in the films of Steven Spielberg
Orla Lafferty: UTV and the 'Troubles': An archival exploration from 1968 until 1998
Brian Laughlin: The reporting of health and the health service
Chris Legge: The emergence of the cinema in the north of Ireland 1890 - 1920
Jolene Mairs: Prison Memory Archive: recording stories from conflict
Jennifer Mooney: The Irish in American vaudeville and early cinema 1880 - 1920
Daire Mulholland: The information/knowledge economy and education in NI
Margaret O'Brien-Moran: Eyes fixed on the past: The poole imperial collection of photographs
Phil Ramsey: The degradation of the public sphere in Britain 1994-2007
Vishnu Thirukkovalluri: Telugu cinema as a cultural form
Alice Gaisburgh-Watkyn: Drive time radio programming
Declan McCrink: Auteurship in American TV drama: A study of Joss Wheedon
Thomas Scott: Representations of the Irish in American cinema 1915 - 1929
Anne Burke: Studying photographic history and especially the relationship between photography and ethnology in Ireland. Her research is informed by her own photographic practice and her thesis will be presented as both a written dissertation and a practical photography project
Ciara Chambers: Newsreel representations of Ireland. Aim is to examine the portrayal of contemporary events in Ireland through cinematic newsreels and the implications of their tone and content
Alexander Fisher: The use of music in African cinema
Liz Greene: Research into sound design in cinema and especially on the innovative work of Alan Splet. She was given the opportunity to access a unique archive of film sound at the American film institute, San Francisco
Julian Kucklich: Work hard, play harder: the politics of play in the digital games industry
Di Liu: Music in Chinese film
Helen Thornham: Narratives of the videogame: Gender, gaming and gameplay
This Knowledge Bank contains information placed on the CMR and former Media Studies Research Institute websites in the past five years. It is archived according to the year in which the material was put up.
Mrs. Sally Quinn |
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+44 (0)28 7032 3361 |
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Centre for Media Research |